对受众的观察有什么变化吗？
在分级调查中，受众是如何被分离了开来？
二十一世纪的受众研究将会是怎样？
“受众”是媒介文化研究中的一个关键概念。尽管当今的学术潮流不再认为大众群体可能共享一定的目标或者利益，但是仍有必要去探究受众行为的各种不同方式，包括他们对于媒介的理解以及他们与媒介之间的互动关系。
《批判性读本：媒介与受众》汇集了受众和媒介研究史上的一些重要发展和影响至今的重要研究。
该读本将有助于媒介、电影和文化研究领城中的学生和老师进一步理解受众分析的基本原理、结论和模式。
NOTES ON CONTRIBUTORS
FOREWORD
ACKNOWLEDEMENTS
INTRODUCTION
PART I THE STUDY OF ACTIVE AUDIENCES
MOVIE LEADERS
VIEWERS' REACTIONS
UTILIZATION OF MASS COMMUNICATION BY THE INDIVIDUAL
ENCODING/DECODING
NEWS WE CAN USE: AN AUDIENCE PERSPECTIVE ON THE TABLOIDISATION OF NEWS
IN THE UNITED STATES
CRITICAL READINGS: MEDIA AND AUDIENCES
THE OPINION POLLS: STILL BIASED TO BLAIR
PART II AUDIENCE COMHUNITIES, SEGHENTS AND COMMODITIES
GOOD AND BAD PRACTICE IN FOCUS GROUP RESEARCH NOTES ON CONTRIBUTORS
FOREWORD
ACKNOWLEDEMENTS
INTRODUCTION
PART I THE STUDY OF ACTIVE AUDIENCES
MOVIE LEADERS
VIEWERS' REACTIONS
UTILIZATION OF MASS COMMUNICATION BY THE INDIVIDUAL
ENCODING/DECODING
NEWS WE CAN USE: AN AUDIENCE PERSPECTIVE ON THE TABLOIDISATION OF NEWS
IN THE UNITED STATES
CRITICAL READINGS: MEDIA AND AUDIENCES
THE OPINION POLLS: STILL BIASED TO BLAIR
PART II AUDIENCE COMHUNITIES, SEGHENTS AND COMMODITIES
GOOD AND BAD PRACTICE IN FOCUS GROUP RESEARCH
ALL CARS: RADIO, RECEPTION AND DISCOURSES OF DISABILITY
TRANSNATIONAL COMMUNICATIONS AND DIASPORA COMMUNITIES
CHILDREN AND ILLEVISION: A CRITICAL OVERVIEW OF THE RESEARCH
RATINGS ANALYSIS IN ADVERTISING
HEADS OF HOUSEHOLD AND LADIES OF THE NOUSE: GENDER, GENRE AND
BROADCAST RATINGS 1929-1990
PART III IHTERACTIVE AUDIENCES: CANS, CULTURAL PRODUCTION AND NEW
HEDIA
IMPROVISING ELVIS, MARILYN AND HICKEY MOUSE
TUNE IN TOMORROW
STORIES OF PLACFS AND WAYS OF BEING
GAMERS AS CO-CREATORS: ENLISTING THE VIRTUAL AUDIENCE- A REPORT FROM THE
NETEACE
INTERACTIVE AUDIENCES?
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